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Sketchy
Mismash of uneven writing(1) It doesn't have an author. Instead, it has a bunch of authors, each apparently assigned a certain portion of British history to cover. The problem is that none of the authors seem to have consulted each other, nor did the editor seem to edit. On every other page, you see a fact or definition repeated (by a previous author), or a topic referenced (but uncovered by a previous author). History is a messy thing, but it has to be organized to be learned, and any hope of presenting material in terms of themes or movements is lost, because styles and approaches switch radically from author to author, from clear and sparse, to confusing and overly-detailed.
(2) It should have an author. This sounds like point (1), but hear me out: the editor, Mr. Morgan, claims that writing grand history, spanning the length of the British past, just can't be written anymore. It is better, rather, to have specialists write about their specialities. Sounds good in theory, but is just abominable when placed next to comprehensive histories written by single authors. Toynbee and Trevleyan wrote such history earlier. And J. Roberts writes such history now, particularly his History of Europe, and History of the World, two models of lucid historical writing that make this disjointed compilation look like an ill-considered mishmash.
(3) It should have an audience. Or at least a different audience: the average intelligent reader wants a clean, interesting exposition of the important events and currents of the past. While some chapters achieve that, the most seem to be written not to the Average Reader, but to the Rival Colleague. And so we see a few facts casually presented, and then a sudden digression into some piece of scholarly minutae that leaves the reader (me, that is) pexplexed.
(4) It should teach historical knowledge, not assume it. This is one of those histories that assumes from the onset that you know all the relevant history. That might be OK for a narrow scholarly article, but it's an awful presumption for a comprehensive history. I read dozens of pages discussing the 'Domesday Book,' its importance, and its effects. The authors never thought to enlighten the ignorant, and explain what this Domesday Book was (an very old tax survey). Things like this litter every page.
From previous reading, I've learned that good history can be written. From reading this, I've learned that very bad history can be written, too.
Erratic, but Often GoodThe chapters of this book are all written by different authors, each one clearly an expert on the subject of his individual chapter. The authors do not agree on their audience. For instance, Gillingham's chapter on the early middle ages was clearly written, had several maps and followed a timeline before ending with a thematic look at the economy and political structure of the period. The very next chapter, Griffiths' chapter on the late middle ages, skips around by dozens of years within a single paragraph, mentions towns in France without maps and assumes foreknowledge of the battles of the Hundred Year war. Unfortunately, this book contains more chapters like the latter than the former.
I suspect that a European or an American with a basic familiarity of British history would find this a very useful intermediate level book with which to learn or re-discover an overview of Britain. The handiness of one volume written by many experts providing an overview of such a long history is what is right with this book. To those with some background in the subject, this book will be extremely convenient and useful. For someone without European geographic knowledge or a recognition of the figures in British history, even a patient and attentive reading will lead to frustrating hunts for the background of many important figures mentioned once within the narrative and to pointless searches through inadequate maps.


TOTAL RIP-OFF
The best way to enjoy this book:
Fact or Fiction

Dragged On
Very exciting book!!!

HaHa...The greatest football program of all time?
Great For Any Aggies Fan!!

If these walls could talk...state welfare assistance offices. It was an unstable arena where
many of the scams and schemes under the guise of assisting the
needed were perpetrated. The writer shows how intricate plans were
executed by the agents offering and the clients receiving public
assistance.
In The Gray Building On 5th and Hill Ms. Blair-Reed shared an inside
view of how unstable the workers were and how lax the regulations of
one particular assistance program were. So much so, a welfare
recipient became a millionaire and a social assistance agent prepared
for an early retirement. As a reader I was left with my mouth hanging
open.
This was a very informative read that gave an unveiled look at the
politics of the social welfare system. However it never took on the
tone of a novel to me, because of the format of he book. Each
chapter seemed to introduce a new player and I did not have a real
sense of who the primary character(s) were. I commend the author for
showing enough boldness to voice such a strong and sometimes negative
message about this very serious subject.
I suggest you pick up a copy, it should give more insight into why
the welfare system is such a profitable venture.
Reviewed by aNN Brown
It's a Jungle in ThereMarissa, a single mother, only started benefiting from welfare when her unborn child's father walked out on her, taking his money with him. While living from welfare check to welfare check, she is offered a modeling opportunity. Little does Marissa know that one of the welfare workers is using her as a pawn in a grand scheme that could cause her ultimate demise.
The Gray Building on 5th and Hill is a fast paced book. It also had many characters in the foreground, leaving me to wonder who the main character really was. This is a good story concept that needs more primary character development and less secondary character development.
Reviewed by CandaceK


Dull, Duller, Dullest
fascinating and full of detail

The truth.........
A core title for personal or professional reference shelves.

A VERY CASUAL BIOGRAPHY WITH NO REAL INSIGHT OR DEPTHWhat she did not tell us, for example, her reaction to her best friend, Jeanne Coyne, marrying Gene Kelly, her ex-husband, would have given readers some "real feelings" and reactions. What we are left with is an anecdotal collection of a politically mixed-up, immature actress, a minor talent who was seduced at an early age by Marxist teachings but does NOT recant...and lingers on her "lost opportunities" as a future film director, again, giving up her artistic premise all for "love" (in this case, her marriage to director Karel Reisz!)
In addition, there is no filmography of her work and although the book is liberally illustrated with photos from Blair's private collection, her p.o.v. about "love and politics in New York, Hollywood & Paris" (what about Madrid & Rome?) is utterly banal. A bleak, dishonest, self-centered memoir from a minor talent without a shred of conscience. Very, very banal...
YOU LEARN THE RESULTS OF YOUR ACTIONS IN THIS STORY

This is a lousy book- don't buy it!
COVERS THE FIVE ESSENTIALS

Fun but not enough.
Pleasantly Surprised
Powerful
This is my favorite period of British history and the one with which I am most familiar, but still, I found the text confusing. I think there were several misplaced lines of type in the second half. Maybe a writer can't do much in 70 pages to elucidate a period, and probably the illustrations would have distracted from the sketchy text. The writing was not lively.
The very last section is called "Intellectual and Religious Life," but it was mostly about religious life. Literature is almost totally ignored throughout the volume. Pepys is never mentioned.
There is no index. Perhaps the complete, one-volume version has an index, and the publisher didn't want to go to the trouble of compiling indexes for the individual volumes. Still, a history book without an index is unthinkable.
On the whole, the book was disappointing.